Spain

Inma Femenia

Inma Femenía

*Version 43*, 2024   &#x20;

UV ink on PVC and metal artist’s frame

40 x 30 x 5 cm  | 15 ¾ x 11 ¾ x 2 inches &#x20;

UNIQUE


Italy

Milano

The Flat - Massimo Carasi

Painting

Version 43

Inma Femenía

*Version 41*, 2024   &#x20;

UV ink on PVC and metal artist’s frame Museum Glass

40 x 30 x 5 cm  | 15 ¾ x 11 ¾ x 2 inches &#x20;

UNIQUE


Version 41

New Zealand

Matthew Allen

Matthew Allen

Pink Shift,  2022

Polished graphite and acrylic on linen

&#x20;45 x 30 x 5,5 cm |  17 ¾ x 11 ¾ x 2¼ inches

UNIQUE

Allen applies an innumerable series of graphite powder layers, the work reveals itself to its creator, appearing only once it has reached its finite formal state. The powder, compacted through a process of obsessively polishing the surface, becomes a solid, taut, almost mirror-like skin. It has a cosmetic appearance which satisfies the gaze that watched it during its unveiling.    &#x20;


Pink Shift

Matthew Allen

Yellow Oxide Stack #4,  2024&#x20;

Polished graphite and acrylic on linen,&#x20;

72 x 52 x 6,5 cm | 28 ½ x 20 ½ x 2 ½ inches

UNIQUE


Yellow Oxide Stack #4

Polished graphite on paper on aluminium on pine frame on the back


Mixed Media

Field Drawing 190202

Stack (Crimson)

Three artists who shed their skin, creating interfaces with new worlds: magnetic and glacial surfaces or bark-like cortexes that are contorted to reveal an unexpected and alienating identity. They shed their Skin, the epidermis, the surface that contains us, offering only a glimpse of our exterior selves to the world.


Shifting Skins

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