Lee Jungwoong

Lee Jungwoong's 'Brush' series has found worldwide success; he has had his works exhibited in several solo and group exhibitions in countries such as America, Switzerland, Singapore and Spain, and has featured in auctions by Sotheby's and Christie's. 

Lee Jungwoong paints pictures of paintbrushes — he paints the thing that paints. These are large-scale, hyper-real images of traditional paintbrushes accompanied by the marks, blotches and splashes that they make. The brush itself is rendered in coloured oil paint, while its mark is in monochromatic ink. The surface is hanji, Korean paper, mounted onto canvas, its absorbent and receptive skin appropriate for capturing the expressive power of the ink. There are two modes of representation going on: the depiction of an object and the depiction of its abstract imprint. We experience the contrast and tension between the controlled handling of the motif and the gestural excitement of the attendant brushmark.

United Kingdom

London

Pontone Gallery

Painting

Brush VI

Brush I

Brush XIV

Mari Kim

Mari Kim is a Korean artist who uses the language of Manga, Disney and Pop-Art to make her glossily realised paintings. These lush and jewelled images, the graphic handling emphasising their flatness, have the lustre of 'bright and shiny' consumables lined up in a department store display case for our delectation. They speak of acquisitive desire and instant gratification. On closer inspection, these images of women and girls carry some more sinister freight after all. The fact that this is concealed in such an attractive package makes it all the more startling.

Giseng 9

Mari Kim is a Korean artist who uses the language of Manga, Disney and Pop-Art to make her glossily realised paintings. Her images derive from a rich mixture of Western and Eastern cultural references. The 'Big Eye Doll' archetype embodies a wide gallery of female subjects. These range from teenage girls to a variety of well-known characters, both real and fictional, including The Queen, Margaret Thatcher, Angelina Jolie, Snow White and Cat Woman. These are depicted in a richly coloured, decorative, graphic manner.

Mixed Media

Cinderella Blue

Pontone Gallery is delighted to present this group exhibition of six acclaimed South Korean artists at the gallery’s downtown Augusta, GA location. With artworks ranging from ostensibly traditional oil and ink paintings to light box sculptures, solar LCD units and digital work on television screens, this is an exhibition that celebrates and explores the conjunction of time-honored Eastern artistic ideals with contemporary methods of execution and representation.

 

Choi Soowhan creates meticulous, immaculate, yet expressive images by drilling holes of various sizes (0.4-3mm) in a black acrylic plate (Plexiglass) or laminate, and then LED backlighting the piece. The result is art based on precision, where Choi masterfully manipulates material and light to create texture, form and substance.

 

Lee Jungwoong uses Korean rice paper and Western oil paint to brings poetic and almost literal life into his subjects. His Chinese brushes and ebony ink splotches, swipes and bleeds showcase dynamism and motion that far surpass a simple two-dimensional image. They are accompanied by gleaming wood and brush hairs visible in the coarseness of every individual strand. The amount of detailing renders his works flawless, sometimes causing viewers to lean in, trying to find the brushstrokes that created the glossy smoothness of the handles, the soaked transience of the paper and the compliance of every brush hair.

 

Mari Kim is a Korean artist who uses the language of Manga, Disney and Pop-Art to make her glossily realised paintings. Her images derive from a rich mixture of Western and Eastern cultural references. She produces pieces which explicitly reflect a pop sensibility and aesthetic back at her audience. 

 

Hong Sungchul creates masterful work that takes the form of sculptural constructions, mostly wall based reliefs. Made from gridded arrangements of identical solar lcd units that produce patterns of random, flickering pixellation, he asserts this sense of impermanence and constant flux. Through these subtle and artful constructions we are introduced to questions about how we live in the virtual, and sometimes disconnected, world. His pieces aim to reclaim a sense of intimacy, engagement and understanding. Fast moving and blurry perceptions are slowed down and examined; the rich quality and beauty of the simple and everyday are revealed.

 

Lee Leenam digitally reinterprets classical masterpieces that reveal nature's wonders and life's aura. He attempts to breathe new meaning and vitality into each pixel of image through cartoon characters, seasonal transformations, icons and symbols of art, society and war. Upon these he builds scenes of growth, change and conflict. He creates clusters of cumulative events, transformations, overlays and juxtapositions, gradual accretions of information. Over time these events build, multiply and intensify only to dissipate, fade and fall away returning the image to a state of calm.

 

Hwang Seontae constructs work that takes the form of the 'light box', built from layers of printed and etched glass, depicting cooly delineated, contemporary interiors. The box has a self-contained light source which articulates the imagined scene. Sunlight enters through windows, casting pools and patterns of illumination and projecting shadowed forms across the silent spaces. In this mostly monochromatic world, there are hints of subtle colour in the exterior glimpses of landscape and foliage. The sun's rays energise and bring life to the scene. Rooms are deserted but not abandoned; they are furnished and maintained. There is a sense of recent departure and/or imminent return.

Pontone Gallery USA | 1128 Broad St | Augusta, GA 30901

South Korean Contemporary Art | Pontone Gallery USA

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