Spain

Inma Femenia

Inma Femenía

*Version 45,* 2024 &#x20;

UV ink on PVC and metal artist’s frame

86,5 x 58,5 x 7 cm | 34 x 23 x 2 ¾ inches

UNIQUE


Italy

Milano

The Flat - Massimo Carasi

Print

Version 45

Mexico

Guadalupe Salgado

Guadalupe Salgado,&#x20;

globalizacion

2023

Embroidery tufting

112x71x1 cm

UNIQUE


Textile Art

Globalizacion

Antonio Riello

Drawing

 KATASTROPHE

United States

Peter Fredrickesen

Peter Frederiksen,&#x20;

“I’ll take whatcha got.”&#x20;

2023

Freehand machine embroidery on linen

&#x20;20,3x15,2 cm | 8x6 inches      &#x20;

UNIQUE


Peter Frederiksen

Peter Frederiksen, “Go ahead and fill ‘er up”&#x20;

2023

Freehand machine embroidery on linen

&#x20;20,3x15,2 cm | 8x6 inches        &#x20;

UNIQUE                                            &#x20;


“Go ahead and fill ‘er up”                                          

Anthony Coleman

Tony Coleman, Eggman & A Brown And White Dog

2023

Graphite and colored pencil on paper

24x18 inches | 61,5x45,5 cm             &#x20;

UNIQUE


Tony Coleman, Eggman & A Brown And White Dog

The history of mankind is made up of "weirdos."&#x20;

Leaders and adventurers, guards and thieves, builders and saboteurs, dictators and guerrillas but there is no shortage of philosophers and self-styled healers, clowns and acrobats, scientists and artists....

It is peppered with myths, beliefs and religions in which inexplicably, at every latitude, ancestral tales of floods, great achievements, insulting deeds, and epochal battles between good and evil are handed down.

Human history is full of dichotomies where opposites clash, warring, leaving victims in the path.

It is the repeated wrong actions that accumulate year after year, century after century, millennium after millennium. In the intimacy of a domestic hearth as in primitive caves, between the Tigris and the Euphrates as between Tikal and Calakmul, with technological weapons as well as with an axe or an arrow.

Four international artists touch on atavistic topics that have unfortunately returned tragically to the present day, using borderline, sometimes disturbing and provocative aesthetics, partly because of the same irony or playfulness that is inherent in their favorite materials and techniques.

They express themselves by mixing styles and techniques, drawing comics or pop icons with cotton thread or with crayons and pencils, sculpting wool as if it were ceramics, decontextualizing objects or producing sarcastic ready-made.


HISTORY OF THE HUMANITY

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