Italy

Matteo Massagrande

Varese

PUNTO SULL'ARTE International Contemporary Art

Painting

La grande rimessa

Sweden

Johannes Nielsen

Drawing

Exhale #5

Chile

Federico Infante

WORK STATEMENT; by Federico Infante
....
Each of my paintings is deeply unique and emerges through its own process. I start with an expressive act of covering the canvas with several layers of acrylic paint and then scratching it off. I repeat this process many times. I do not plan my images in advance and try to stay present and as detached as possible from the result. In doing this I am able to express my unconscious mind, the part of me that has not been processed by logic. I then react to this abstract and expressive atmosphere, by searching for the elements that have emerged, possibly in pockets of light, or the foundations of a landscape. In this way each painting shows me its singular identity. 

At this point I open the process up to ration, the part of myself that tries to understand reality, to decode what my subconscious has expressed and make it tangible. I then paint the figurative elements of this atmosphere. Often a person standing alone, or a piece of architecture coming out of the dark or an open sky that implies the presence of an unseen figure.

Through this process I am able to investigate the tension between the subconscious that drives us and the logic with which we make sense of and understand our everyday lives. Although this is a deeply personal process, the tension and ambiguity of the circumstances that often arise allow this experience to be related by any viewer.


The last light

Silvio Porzionato

Rouge

Poland

Marta Mezynska

Apple Station

Tom Porta

Pink Kimono

Andrea Gnocchi

New York City

Claudio Filippini

Hydrant

Casagrande&Recalcati

Ipervanitas 1730 (Capriccio X)

Wind flower

The black dress III

Sabrina Milazzo

Pippo

Nicola Nannini

Notte

Alessandro Papetti

Molo

Mosca - Interno industriale

Raffaele Minotto

Interno assolato

Sabrina Milazzo’s paintings are inspired by a common imagery, as she chooses Walt Disney’s characters as the protagonists of her canvases. Easily recognizable thanks to the sharp brushstrokes and pastel nuances, the puppets appear to us, however, not with their usual appearance, concluded and detailed, but as if they were in the middle of a process of transformation and dissolution. What Sabrina Milazzo conveys to us through her interpretation of the Disney universe is the end of the enchantment, the illusions that all of us as children had created by looking at these characters and their happy endings. The knowledge, as adults, that most of our childhood dreams would remain such, and that they would never come true. The artist therefore does not appear as the author of this destruction but rather as a witness to this inevitable process.


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